In 2002, engaging in street portrait, I worked with like installation, performance art, as it were, and how to video art. The result is a multi-time with a schedule that is both installations, performances and video art.
Its tenth anniversary DATE KRAT company decided to celebrate the grand exhibition of contemporary art. For the exhibition I prepared the video thumbnail you would like to remove. But the organizers told me that it is not necessary to remove anything that contemporary art is a loose concept, and therefore so will descend. In general, the exhibition I put video art paper packed into bottles. Paper video art - it’s, like, video-art.
How would INSTALLATION:
Once, back in 1996, when I laid out the colored pastel dust on images perpetual motion while watching Kounellis album, I had the idea that the drawings may also be installations. Then, during the exhibition ‘Genetics, Energy, Terrorism,’ I reinterpreted the concept of total installation. If any work of art considered as an installation, the painting turns into a special case… Just as Euclidean space, I S special case Lyubachevskogo space.
In 2002, I thought of the drawings, installations and began to install the color pigments in the paper. In order to streamline the layers of color, manual color scale has been entered into the drawing. Each color is a separate layer. The layers are arranged one above the other on a color scale.
How would PERFORMANCE:
performances can be anything. portraiture process can also be viewed as a performance. The main thing in performance documentation. I documented - his colleagues photographed portrait. In the photos, nothing changed, except the drawings.
If the color scale combined with the flow of time, how would INSTALLATION become a sort of performance. A temporary co-layered pattern is itself the documentation of this performance
How to video art:
When I said that, in principle, it is impossible to create a modern art painting street portraits somewhere not the periphery, then I said, if you exclude your principles, you can do, and basically impossible art that co-time is possible . Thus art became impossible sverhmomentalny video art. Taking video art paper, I realized that my co-temporal patterns actually sverhmomentalny video art. Due to the difference in the speed of light in a dense medium first sees eye purple and then blue, green, red. The eye sees, but the brain can not perceive. Over time, with the help of the latest technology svehmomentalny my video art was to become modern art.
MULTI-GRAPHIC - is both installation, performance and video art, the point where parallel lines converge contemporary art.
For the first time a multi-graph was displayed at the Museum of Fine Arts at the exhibition Evrvziysky syndrome-2. Thus, outdoor portrait conveniently fit into contemporary art.
In 2002, she also has been exhibited in the gallery 'window' for my exhibition 'Vindouz' where exposure nail interactive installation 'And you beat Bill Gates?'. Around this installation we are with Alexander Sedov and 4th channel, we held a performance.
At the end of the year we held a performance 'The temporary branch of the border between Europe and Asia 'at the dam. To remove this pass 10 cameras. (All channels).
Its tenth anniversary DATE KRAT company decided to celebrate the grand exhibition of contemporary art. For the exhibition I prepared the video thumbnail you would like to remove. But the organizers told me that it is not necessary to remove anything that contemporary art is a loose concept, and therefore so will descend. In general, the exhibition I put video art paper packed into bottles. Paper video art - it’s, like, video-art.
How would INSTALLATION:
Once, back in 1996, when I laid out the colored pastel dust on images perpetual motion while watching Kounellis album, I had the idea that the drawings may also be installations. Then, during the exhibition ‘Genetics, Energy, Terrorism,’ I reinterpreted the concept of total installation. If any work of art considered as an installation, the painting turns into a special case… Just as Euclidean space, I S special case Lyubachevskogo space.
In 2002, I thought of the drawings, installations and began to install the color pigments in the paper. In order to streamline the layers of color, manual color scale has been entered into the drawing. Each color is a separate layer. The layers are arranged one above the other on a color scale.
How would PERFORMANCE:
performances can be anything. portraiture process can also be viewed as a performance. The main thing in performance documentation. I documented - his colleagues photographed portrait. In the photos, nothing changed, except the drawings.
If the color scale combined with the flow of time, how would INSTALLATION become a sort of performance. A temporary co-layered pattern is itself the documentation of this performance
How to video art:
When I said that, in principle, it is impossible to create a modern art painting street portraits somewhere not the periphery, then I said, if you exclude your principles, you can do, and basically impossible art that co-time is possible . Thus art became impossible sverhmomentalny video art. Taking video art paper, I realized that my co-temporal patterns actually sverhmomentalny video art. Due to the difference in the speed of light in a dense medium first sees eye purple and then blue, green, red. The eye sees, but the brain can not perceive. Over time, with the help of the latest technology svehmomentalny my video art was to become modern art.
MULTI-GRAPHIC - is both installation, performance and video art, the point where parallel lines converge contemporary art.
For the first time a multi-graph was displayed at the Museum of Fine Arts at the exhibition Evrvziysky syndrome-2. Thus, outdoor portrait conveniently fit into contemporary art.
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