1996. Les expériences d'introduction de l'art moderne dans la pratique du portrait de rue. (Début, entre art contemporain et portrait de rue).

1996. Les expériences d'introduction de l'art moderne dans la pratique du portrait de rue. (Début, entre art contemporain et portrait de rue).

Entre la rue et un portrait d'art moderne à grande distance. Création d'un portrait moderne en plein air rappelant le portrait de Fayum. Deux mille ans ont passé et rien n'a changé. La rue n’est pas un portrait de l’art moderne, ni du street art, ni de l’art contemporain…

Mais ma pratique est un portrait de rue commencé simultanément à participer au projet d'art contemporain EVROCON. Le 31 mai 96, j'ai fini ma formation de portrait à l'université, puis nous sommes allés à la rencontre des artistes suisses modernes.

Ensuite, j'ai pris une chaise pliante Evgeny Arbeneva, nous (à Eugene) avons pris à la "centime" où j'ai dessiné sa sauce portrait. C'était ma deuxième tentative de peinture de rue.

La première tentative a eu lieu le 2 juillet 1995. Sur les conseils d'Alexis Cousin, mon partenaire pour la protection du musée géologique, j'ai redessiné assis dans la rue, retrouvé accidentellement au poste de garde, photographie d'un étranger. Depuis lors, chaque 2 juillet, je redessine cette image. ma troisième sortie sur la pièce a eu lieu le 2 juillet 1996.

Les artistes étrangers (principalement suisses) du projet EVROCON ont travaillé l’art contemporain dans les usines existantes. J'ai également participé au processus et parallèlement à la réalisation de portraits d'artistes contemporains. Généralement, je me prépare à partir sur la place.

Sur la place, parmi ses collègues du «Fayum», j'ai immédiatement eu une terrible réputation d'avant-garde, du désir de travailler pour François Clouet. Travaillant sous Clouet en 96 ans, je ne pouvais pas… Avant de sortir dans le parc, sur les conseils de Nicolas Fedoreeva, j'avais dessiné des portraits à la sauce et les ai peints plus d'une centaine. Mais la sauce est un matériau trop difficile, et je suis reconnaissant de laisser tomber un portrait de rue de Vladimir Martynov qui est passé au charbon. Depuis la mi-août, j'ai également commencé à peindre des portraits selon les techniques: pinceau sec, encaustique, tempera et crayon. Ces techniques ont révélé ma silhouette faible, alors j’ai eu l’idée de prendre quelques

cours particuliers Alexei Pelle et Galizdrina Alexander, qui a enseigné à l'Institut d'architecture.

À la fin de 96 ans, Galizdrin décida d'organiser une grande exposition dans sa galerie. Pour cette exposition, mon projet "métaphysique cinétique" sur Perpetuum imaginaire est devenu (grâce à Oleg error Spruce), génétiquement métaphysique. Ce même Spruce m’a invité à participer à des peintures d’église.

Je voulais écrire, mais Spruce a invité à faire des ornements et j'ai accepté. J'ai acheté le livre et ils ont peint des ornements sur mes moteurs éternels imaginaires qui sont devenus la base de l'exposition "génétique, énergie, terrorisme."

Plus tard, le mouvement perpétuel chromosomique de l’autre côté, j’ai fait les premiers portraits chromosomiques.

Autres images 1996

Хромосомный клип Киркорова и Баскова. Диджей Эйзенщтейн. Заблокирован на ютюбе.

Album art. Flowers.

https://www.flickr.com/photos/144667505@N08/albums/72157669654222244

https://www.flickr.com/photos/144667505@N08/28529192523/in/album-72157669654222244/

medved51

2015. (art in public spaces, stuckism).

Experience of introduction of modern art in the practice of street portraiture

At the end of the year 2014 in NCCA regular intellectual platform the next Biennale, which discussed art in public spaces. There I painted portrait for chromosome 22 shekels. And decided to introduce art into public spaces in practice Street portretirovaniâ. 

In the year 2010 I have implemented public art, but for the 5 years I have new technical opportunities, new technologies and new knowledge. And I decided to try this case again at a new level. In 2010, together with public art was Neo pop in 2015 stuckism. 

Urban public space is filled with advertising. Unauthorized advertising of so-called street art that advertises anything ... Sometimes he advertises the addiction, but usually it is self-promotion, which says we're cool because we gang. The authorized advertisement advertises goods politicians and show business stars. Showbiz stars have the most beautiful advertising. 

Once I dealt with paranormal theatrical criticism. Paranormal criticism is to form an opinion about the event on its Playbill. In 2015 year I started paranormal music criticism. I have carefully reviewed the poster on the way to the dam, photographed them, and then on the photos painted chromosomal portraits of stars. 

Working with posters, I realized that the stars of show business are used to decorate the city beautiful portraits. For portraits on posters paying audience. Beauty portraits convinces people to go on the show. But it would be ideal if public buying tickets would go on the show. Inspired by similar ideas, I cajoled people with tickets instead of attending concerts to draw I have chromosomal portraits. A couple of times I did it. 

People actually just quarreled with his wife, went to the concert by Natasha koroleva and ordered I have chromosome portrait. While drawing this portrait, I explained what is statizm. Then stood up to introduce stuckism in practice  of street portraiture

I'm wearing a hat 18 century, urged not to visit the trendy street art gallery, because that street art is crap. Street art it's self-promotion which carries one message: \"we're cool because we gang\". In addition, street-art spoils beautiful posters. 

Stuckism is English failed (stuck) neo-expressionism. Statizm-a return to painting and painting. Stuckism is a critique of modern art (mostly YBA and street art). 
Connecting stuckism with hromosomnym portretirovaniem, I got a picture of chromosomal plums which are similar to phylogenetic trees. Plum amazing tree. With a chromosomal standpoint, plum is joining of two plants: Blackthorn and plum. 

Criticizing contemporary art within the speed, I agreed that all modern art GAVNO. I considered GAVNQ not in terms of negation and negative, and from a biological point of view. Contemporary art is humus GAVNQ where beautiful flowers blooming PR, advertising strategies and concepts. etc. 

During the next Biennale, I drew portraits of curators and the participants using the Internet and social networks. These portraits have expressed my attitude to contemporary art (from a biochemical point of view). 
The point of view on contemporary art, I do not impose. Therefore, the 'Pairs' exhibition took part in the end of 2015. The NCCA have been exposed chromosome portraits of stars of show business. 

Other Image 2015.

2014. (neo-GEO, neo-Futurism).

Experiments of introduction of modern art in practice Street portretirovaniâ. 

On display at NEC my bio-processor called the painting in the style of neo-geo. In all my works with bio-processors provides some conceptual geometry. 

When the Olympic Games were held in Sochi. I watched them as competition bio-machines like chromosomal events in neo-Futurist Wednesday. (Sports facilities were built in the style of neo-Futurism). As a result of these body views and views social networking a series works with bio-processors which, as would be the geometry of relationships between electronic and biological flows. 

Genetics sports. 

World Cup won the German bio-machine. 

After the Olympics I started to use my experience in the street Weiner. Architecture of malls on Weiner does not hold up to neo-Futurism. But this is modern architecture with its electric and other utilities. Under the street, Weiner is a large pipe-collector. According to Weiner go flows of people. In the middle of the street there is the fountain of biomorfnyj, sometimes when there is no water, I paint there astrologically-chromosomal 

portraits (form fountain that is consistent). 

In 2014 year I wanted to paint portraits that would identify the geometry of the relationship between biological and electronic flows. From the beginning I worked, imitating the drawing of cabs, which are in shopping malls. Then sat on the street in front of the Museum of Weiner (at the forefront of fine art), armed with a digital camera and offered to do the work of Museum level while customers were engaged in shopping, as if in a futuristic Wednesday. As an advertisement I served ' CUKERBRIN ' (portrait of Mark Zuckerberg and Sergey Brin). 

Geometry of relationships between biological and electronic flows easiest taped electro-chromosome chromosome portraits and portraits-radio. In 2014, I created several portraits of radio presenters. These portraits-radios were created using electronic sketches and GIF animation.

For a long time, my over-instant video (my impossible contemporary art) were impossible to see. It was impossible to see how the video until the apples could deliver from Poland, and contemporary art from Europe and America. But in 2014 banned imports of Polish apples and I decided that it was time to ... Using Studio U7-tv I made some videos of chromosomal portraits and several chromosomal GIF images (GIF animation). Video posted on lol. Oleg Nikulin (U7-tv Director) said the video should be solely with the stars of show business, because they're brands. 

Man is a social animal. In every man there is a massive unconscious mind. Modern mass-consumption society has turned a massive unconscious people in some semblance of PAVLOV'S DOG that responds exclusively to brands. If some phenomenon is not a brand, it is, as it were, does not exist. 

When I painted portraits on Weiner, I wanted to draw a portrait of 22 22 rubles, but with great difficulty could draw only 20. People are too quick to run, moving between shopping centers. They noticed nothing except raspiarenyh brands. So I decided to draw the main Russian brand-Vladimir Vladimirovich Putin. And after semitysâčnogo portrait to draw portraits of chromosome exclusively stars of show business. To chromosome portrait turned into a brand must be advertise stars of show business. 

We live in a world of social networks and digital television in the world gennomodificirovanyh products and gennomodificirovanyh microorganisms. Our world strives for symbiosis between digital and biotechnologies. And even if primitive metaphysically y-chromosomal portrait will not brand, currently, many representatives of the IT businesses are investing heavily in bio-technology. And I think that in the future my creativity would be appreciated. 

Other images 2014.